{"id":919,"date":"2022-02-19T08:00:00","date_gmt":"2022-02-19T07:00:00","guid":{"rendered":"https:\/\/www.senses.se\/en\/review-peacemaker\/"},"modified":"2026-03-21T18:28:12","modified_gmt":"2026-03-21T17:28:12","slug":"review-peacemaker","status":"publish","type":"post","link":"https:\/\/www.senses.se\/en\/review-peacemaker\/","title":{"rendered":"Review: Peacemaker"},"content":{"rendered":"\n

When I reviewed The Suicide Squad<\/a><\/strong>, I found myself fascinated, if not endeared, by the character Peacemaker<\/strong>. He is a demonstrably damaged individual with a peculiar worldview and an equally unconventional approach to his mission. Director James Gunn<\/strong>, during pandemic isolation, penned an eight-episode mini-series centered on Peacemaker<\/em>, initially skeptical of its production prospects. However, much to his and the audience’s delight, HBO<\/strong> greenlit the project, propelling it into production.<\/p>\n\n\n\n

Peacemaker <\/strong>(John Cena) awakens in a hospital, having improbably survived the events of The Suicide Squad<\/em>. He now anticipates freedom from both imprisonment and the machinations of the ruthless Amanda Waller<\/strong> (Viola Davis). This reprieve, however, proves fleeting as he is conscripted into a perilous new mission. He and a contingent of the Suicide Squad team are tasked with assassinating a high-ranking politician and their family. They soon uncover a far more complex and dangerous situation, one that threatens global security.<\/p>\n\n\n\n

As I mentioned in my first-impression<\/a>, I was immediately drawn to this series. James Gunn masterfully balances his characteristic humor with a narrative that resonates with contemporary societal themes. The series incorporates relevant elements: LGBTQ<\/strong> representation, the climate crisis, and commentary on sexism. Yet, The Peacemaker<\/em> retains a refreshingly politically incorrect<\/em>, violent, and occasionally crude edge. With Peacemaker, DC distinguishes itself from Marvel<\/strong> by taking greater risks with its characters and content. Furthermore, the series successfully integrates Peacemaker and The Suicide Squad<\/em> into the somewhat inconsistent DCEU universe, the direction of which Warner Bros. still seems to be determining.<\/p>\n\n\n\n

Peacemaker<\/em> consists of eight episodes, each contributing meaningfully to the overarching storyline. In contrast to some series that feature filler episodes with negligible plot advancement (The Book of Boba Fett<\/strong> comes to mind), every episode here is engaging and purposeful. As the finale approached, I experienced some trepidation, common when a series captivates me as much as Peacemaker<\/em> did. I was concerned that the conclusion might falter. Thankfully, my worries were unfounded; James Gunn delivers a satisfying resolution. He constructs an epic conclusion, seamlessly blending outlandish humor with poignant emotional sequences, culminating in a memorable series of cameos. Moreover, the ending incorporates a narrative element rarely seen in superhero projects: the battles have tangible, lasting repercussions, rather than simply being shrugged off.<\/p>\n\n\n\n

The moment I witnessed the intro sequence, I knew Peacemaker<\/em> would be a unique and memorable series. It is truly unlike anything else. While unconfirmed, rumors suggest that Wig Wam’s agent terminated their contract just days before the Peacemaker<\/em> premiere, citing concerns that “No one knows who you are…”.<\/p>\n\n\n\n

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