{"id":802,"date":"2023-05-21T11:30:00","date_gmt":"2023-05-21T09:30:00","guid":{"rendered":"https:\/\/www.senses.se\/en\/review-en-dag-kommer-allt-det-har-bli-ditt\/"},"modified":"2026-03-21T18:18:22","modified_gmt":"2026-03-21T17:18:22","slug":"review-en-dag-kommer-allt-det-har-bli-ditt","status":"publish","type":"post","link":"https:\/\/www.senses.se\/en\/review-en-dag-kommer-allt-det-har-bli-ditt\/","title":{"rendered":"Review: En dag kommer allt det h\u00e4r bli ditt"},"content":{"rendered":"\n

Lisa (Karin Franz K\u00f6rlof)<\/strong>, a comic artist in Stockholm, faces the pressures of a looming deadline for her first book. A call from home summons her and her two siblings back to their family business in Norrland. Their dad (Peter Haber)<\/strong> and mom (Suzanne Reuter)<\/strong> intend to discuss a significant decision: rather than dividing the family forest and company equally, they propose that one sibling assume full ownership, with the others receiving financial compensation. Each sibling has established their own lives, and none are keen on returning home, particularly Lisa. This revelation upends their lives, triggering a journey through their past and future, exploring the various paths life can take. Furthermore, a long-unaddressed family tragedy resurfaces.<\/p>\n\n\n\n

Last year, I was impressed by the Swedish film \u00c5ret jag slutade prestera och b\u00f6rjade onanera<\/a><\/strong>, prompted by my acquaintance with screenwriter Christin Magdu<\/strong>. The decision to review En dag kommer allt det h\u00e4r bli ditt<\/em> was influenced by my recent collaboration with Suzanne Reuter in the short film Varnagel<\/a><\/em><\/strong>. <\/p>\n\n\n\n

The Blu-ray edition’s understated cover offered minimal insight, suggesting a comedy with specific actors in leading roles. Thus, I approached the film with a completely open mind.<\/p>\n\n\n\n

From the opening scene featuring Lisa (Karin Franz K\u00f6rlof) in the bath, it becomes apparent that this is an unconventional film. It is rare to encounter a movie that commences with a conversation with bubble bath! Karin Franz K\u00f6rlof delivers a compelling performance in the lead role, adeptly balancing a character who may initially seem challenging to connect with. However, she imbues the role with such warmth and vulnerability that the audience is compelled to follow her narrative. Suzanne Reuter initially appears somewhat underutilized, but later in the film, she asserts her presence, delivering several of the film’s most impactful moments with notable skill.<\/p>\n\n\n\n

Peter Haber<\/strong> has consistently demonstrated his ability to navigate both comedic and serious roles, transitioning from Dr Bus\u00e9<\/strong> in J\u00f6nssonligan<\/strong> to the hardened Hamilton<\/strong>. While his performances have sometimes lacked substantial depth, En dag kommer allt det h\u00e4r bli ditt<\/em> reveals a new dimension to his acting. The film contains several sequences where he effectively conveys profound emotions through nuanced, non-verbal communication.<\/p>\n\n\n\n

SF Studios’<\/strong> promotional quote on the cover labels the film “The comedy that Sweden has been longing for.” While En dag kommer allt det h\u00e4r bli ditt<\/em> incorporates comedic elements, it functions more effectively as a poignant drama. The film presents numerous humorous situations, eliciting genuine laughter. However, it also evokes a level of emotional engagement rarely experienced in recent cinematic viewings.<\/p>\n\n\n\n

Director and screenwriter Andreas \u00d6hman<\/strong> has stated that En dag kommer allt det h\u00e4r bli ditt<\/em> draws inspiration from his own experiences and an event that occurred in 2016. The unfolding family tragedy within the film is also rooted in reality, adding a significant layer of depth. By showcasing laughter, tears, and the spectrum of human emotions, En dag kommer allt det h\u00e4r bli ditt<\/em> effectively captures the essence of life.<\/p>\n\n\n\n

A minor criticism involves a particular scene that felt somewhat unconvincing. The film gradually builds anticipation regarding a past tragedy. However, the climactic scene between Lisa and her publisher\/boyfriend, portrayed by Arvin Kananian<\/strong>, feels rushed and emotionally detached. The audience’s extended anticipation for this revelation is met with a slightly anticlimactic resolution. While the actors’ performances are not at fault, \u00d6hman’s direction falters slightly in this instance.<\/p>\n\n\n\n

The Blu-ray<\/strong> edition presents the visuals in 1080p with a high bitrate. The cinematography is well-executed, accurately representing the forest’s diverse colors with good sharpness and depth. The audio is presented in 5.1 DTS<\/strong>, which appears to align with the film’s original mix resolution. The sound quality is adequate, with effective mixing, particularly during a late-film party scene.<\/p>\n\n\n\n

The supplemental material includes an insightful and informative commentary track, which, while standing alone, provides sufficient added value.<\/p>\n\n\n\n

In conclusion, En dag kommer allt det h\u00e4r bli ditt<\/em> was a genuinely pleasant surprise. The experience of watching a film without prior knowledge or exposure to trailers that reveal key plot points is highly rewarding, allowing the director’s vision to unfold organically. I wholeheartedly recommend En dag kommer allt det h\u00e4r bli ditt<\/em>.<\/p>\n\n\n\n

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