{"id":2023,"date":"2013-03-01T00:06:01","date_gmt":"2013-03-01T08:06:01","guid":{"rendered":"https:\/\/www.senses.se\/en\/review-the-impossible-when-the-impossible-happens\/"},"modified":"2026-04-09T21:45:10","modified_gmt":"2026-04-09T19:45:10","slug":"review-the-impossible-when-the-impossible-happens","status":"publish","type":"post","link":"https:\/\/www.senses.se\/en\/review-the-impossible-when-the-impossible-happens\/","title":{"rendered":"Review: The Impossible \u2013 When the Impossible Happens"},"content":{"rendered":"<p>Just as <strong>September 11, 2001, changed the world forever,<\/strong> the world was also profoundly impacted on <strong>Boxing Day 2004<\/strong> when the <strong>Japanese word<\/strong> <em>Tsunami<\/em> entered global consciousness. The event demonstrated the raw, unstoppable power of nature, <strong>leaving devastation in Thailand<\/strong>, mirroring the impact of Hurricane Sandy in the USA.<\/p>\n<p>Approximately <strong>500,000 Swedes visit and reside in Thailand annually<\/strong>, representing a significant presence. Many individuals likely know someone who was present or affected by what remains <strong>the most devastating tsunami in modern history<\/strong>. After <strong>eight years<\/strong>, we now have the <strong>first major cinematic exploration of this event<\/strong> &#8211; <strong><em>The Impossible<\/em><\/strong>.<\/p>\n<p>The Bennett family, seeking respite from their demanding lives, arrive in Khao Lak at a <strong>beach hotel<\/strong> that can be described as <strong>luxurious<\/strong>. Dad Henry (<em>Ewan McGregor<\/em>), mom Maria (<em>Naomi Watts<\/em>), and their three sons are enjoying their vacation when tragedy strikes. A <strong>massive wave sweeps across the landscape, obliterating everything in its path<\/strong>, <strong>separating the family<\/strong> and initiating an <strong>unimaginable ordeal of human suffering and survival<\/strong>, as well as a <strong>desperate search for loved ones<\/strong> (<em>within a chaotic environment, initially without power or reliable communication<\/em>).<\/p>\n<p>Spanish director <strong>JA (Juan Antonio) Bayona<\/strong> makes his (<em>in some respects<\/em>) Hollywood debut with this film. Following his critically acclaimed work on <a title=\"Barnhemmet \u2013 The Others fastnar i Pans Labyrint\" href=\"https:\/\/www.senses.se\/barnhemmet-the-others-fastnar-i-pans-labyrint\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><em>The Orphanage<\/em><\/strong><\/a> (<em>El Orfanato<\/em>), he now presents a <strong>film based on a true account<\/strong>, depicting the experiences of a Spanish family <em>(named Belon, who consulted on this adaptation)<\/em>. To enhance accessibility and <strong>international appeal, the family&#8217;s nationality has been changed to British<\/strong>, allowing for the casting of <strong>Hollywood actors<\/strong> who may generate broader <strong>press coverage and audience interest.<\/strong><\/p>\n<p><strong><em>The Impossible<\/em><\/strong> is an <strong>immersive and intense experience<\/strong>, showcasing <strong>exceptional filmmaking prowess<\/strong>. Financed by a blend of EU and foreign (<em>predominantly American<\/em>) investment, the <strong>production is largely Spanish<\/strong>, featuring <strong>remarkable special effects, sophisticated stunt work<\/strong>, and <strong>compelling cinematography<\/strong>. The <strong>opening sequence effectively establishes the tone<\/strong>, and <strong>when the tsunami strikes<\/strong>, the viewer is <strong>almost unable to breathe<\/strong> due to the intensity. Subsequently, the <strong>heartbreaking, visceral, and graphic second act<\/strong> focuses on the search for survivors.<\/p>\n<p>Having personally experienced a tsunami, or knowing someone who has, might make this film particularly challenging to watch. It is <strong>remarkably realistic<\/strong> and <strong>unflinchingly portrayed.<\/strong> The depiction of individuals being <strong>swept away by the wave<\/strong>, tossed about in the <strong>turbulent water<\/strong> and subjected to the <strong>dangers of debris<\/strong>, is <strong>disturbing<\/strong>. JA Bayona offers the viewer the <strong>uncomfortable sensation of vicariously experiencing the tragedy<\/strong>. The film also features <strong>Swedish actors<\/strong>, including Douglas Johansson (<em>known for his role in the Wallander films<\/em>).<\/p>\n<p>Overall, the <strong>narrative remains relatively straightforward<\/strong>, which is not necessarily a weakness. However, there are moments where the <strong>script seems to rely on convenient resolutions or plot devices<\/strong>, bordering on deus ex machina (<em>specific examples would constitute spoilers<\/em>). Consequently, while based on a dramatized true story, the <strong>film emphasizes the exhaustive nature of the suffering and graphic violence<\/strong>, potentially overshadowing the core narrative of the human family.<\/p>\n<p><strong><em>The Impossible<\/em><\/strong> is an <strong>exceptionally well-crafted film<\/strong>, delivering a <strong>harrowing cinematic experience<\/strong> (<em>in a positive sense<\/em>). For viewers who are <strong>sensitive to or anxious about tsunamis<\/strong>, this film is <strong>not recommended<\/strong>. However, for those with <strong>strong constitutions<\/strong> and a <strong>sense of curiosity<\/strong>, the film contains <strong>unforgettable scenes<\/strong>, although <strong>these are not always centered on the family&#8217;s journey<\/strong> and <strong>their efforts to reunite<\/strong>.<\/p>\n<p><em><strong>The Impossible<\/strong><\/em> premiered in Sweden on <strong>March 8, 2013<\/strong>.<\/p>\n<p><iframe title=\"The Impossible Official International Trailer (2012) Ewan McGregor, Naomi Watts Movie HD\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/PWzSHNrl7u4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><em>The review was first published on November 2, 2012.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just as September 11, 2001, changed the world forever, the world was also profoundly impacted on Boxing Day 2004 when the Japanese word Tsunami entered global consciousness. 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Watch as a six-year-old and built custom PCs in retail as a teenager. He founded the cult site dvdforum in 1999 and later SENSES in 2008, driven by a relentless passion for testing gear and writing about lifestyle and entertainment. In his daily life, he is a professional actor and film producer, which gives him an industry-trained eye for picture, sound, and storytelling when reviewing everything from massive TVs and console games to premium headphones. A genuine interest in health has also sparked a strong passion for health tech. When the screens are finally turned off, tech is happily swapped for traveling, family time, and really good red wines.","sameAs":["https:\/\/en.wikipedia.org\/wiki\/Christian_Magdu","https:\/\/www.linkedin.com\/in\/christianmagdu","https:\/\/x.com\/ChristianMagdu","https:\/\/www.youtube.com\/@christianmagdu"],"url":"https:\/\/www.senses.se\/en\/author\/christianmagdu\/"}]}},"jetpack_featured_media_url":"https:\/\/www.senses.se\/en\/wp-content\/uploads\/2013\/03\/PWzSHNrl7u4.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/posts\/2023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/users\/1413"}],"replies":[{"embeddable":true,"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/comments?post=2023"}],"version-history":[{"count":1,"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/posts\/2023\/revisions"}],"predecessor-version":[{"id":6132,"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/posts\/2023\/revisions\/6132"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/media\/6108"}],"wp:attachment":[{"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/media?parent=2023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/categories?post=2023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/tags?post=2023"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.senses.se\/en\/wp-json\/wp\/v2\/coauthors?post=2023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}